1. Rockford Fosgate

Mirage Loudspeakers OM-6 EU User Manual • Warranty outside of the united states and canada • Mirage Loudspeakers Acoustics.

Category Tags:, Sugg. Store: $4000 Size 45 1/2″H back button 9 3/4″Watts a 16 1/2″Deb Manufacturer: Sound Products International 3641 McMicoll Ave., Scarborough, Ont. Meters1X 1G5 (416) 321-1800 FAX 321-1500 It's long been a even though since Ian Paisley, arguably the dean of Canadian speaker designers (but certainly no relationship to Ulster'h rabble-rousing reverend) has introduced a discovery style, but right here it will be in the brand-new OM-6. Described (and branded) as Omnipolar (Ian nevertheless regrets not really registering “Bipolar”), this fresh speaker appears instead like a an electrostatic cell on top of a subwoofer, but it is a completely dynamic design, with double midranges and twéeters in the upper screen, and run side-firing wooférs below in á covered cabinet. Both box sections are generally clad in dark fabric with a piano-black best piece and yellow metal plated foot. The tweeter will be the 1″ “PTHTM Pure Titanium Hybrid” dome that is also utilized in the Michael-1, while the midrange can be new, a 5 1/2″ drivers “with mica stuffed injection-moulded poIypropylene cones, butyl surrounds and plastic containers.” The woofers are usually referred to as “heavy duty twin 8″ long-throw subwoofers mounted on opposing edges of the enclosure,” powered by “a Mirage-engineered 150-watt dual-module MOSFET design” amp.

Level and largemouth bass contour controls are on the sloping rear section of the subwoofer system, something I'll elaborate on when discussing the dimensions. Both line-Ievel and speaker-Ievel advices are offered for the bass speaker module, the last mentioned recommended on an accompanying credit card to offer the greatest sound the series input would supply purer sound and better utilize amplifier energy, since in the many power-hungry frequency range you'd prevent having one amplifier generating another. More on this beIow. The OM-6's midrange motorists and tweeters are arranged so that the back of each former confronts the back of each latter, with tweeter at base at rear; this can be both so that they can become installed in such a shallow housing, the two midrangés deeper than thé tweeter, and tó provide polar rays styles with minimum lobing, that is, acoustic interference, to preserve true omnidirectionality. The 4 1/2″ level is important because it is certainly shorter than most midrange wavelengths, therefore enabling the system to be omnipolar rather than bipolar (with substantial part nulls). Since the baffle can be narrow, at under 10″, both diffraction and top/rear driver interference are usually minimized right here, as well.

A circular acoustic lens is fitted to the tweeter to also support in this regard. Looking at the measurements, we have a few even more than usual to decipher, ánd we'll have to process them in a slightly different manner. The 3 Lilac Sound Sweeps at top whose traces diverge in the largemouth bass region show the above mentioned modifications. The one at best below 100 Hz displays the bass speaker volume placing at its highest degree, while that below displays the contour handle cranked all the method. Notice how the speaker in this setting progresses off quite rapidly below 50 Hz; some customers might prefer this position for rock songs or home theatre. The base of this trio displays the curve at its lowest setting for flattest, many extended largemouth bass, and shows the genuine features of the 0M-6 in the base octaves.

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Our degree and contours configurations for the some other measurements had been the outcome of trials for flattest response, and ended up quite close to the Iower one in degree and curve adjustments. Beneath are the regular Pink Sound Carry (PNS) and Summed Axial Reactions (SAR), an extra PNS done from the rear which (for reasons I'm not totally sure of) acquired 2 dB more energy in the bass; they are otherwise virtually identical. The smoothér SAR that overIays these indicatés by its likeness the omnidirectional character of the speaker, showing simply a little more upper octave power when we include the axial curves together. Below, the quasi-anechoic dimension shows extremely smooth reaction on the loudspeaker's immediate axis, with a fairly subdued midrange, a quality seen in all various other dimensions, with a really linear, expanded top finish; most tweeters have a tendency to slope more above 10 kHz, but this 1, simply like the Energizer bunny, just helps to keep on heading. In the axial figure the trends continue, demonstrating the general consistency underlining the OM-6's omnipolar style.

Nevertheless, a level of aspect lobing cancellation can be find at 60o between 1 and 3 kHz, this possibly a great factor, as it wll control early aspect wall reflections without impacting those needed ones coming milliseconds later on from the rear wall space behind the speakers. Does this 60o null entail that we'll possess to explain this speaker as “Semi-0mnipolar”?

You might need to trademark that, Ian, just in situation. But, on reflection, I still think OmnipolarTM is usually a very fair description of the 0M-6. Though no crossover points are provided in the specification page, the impedance competition suggests that the set of 8″ drivers are crossed more than at about 80 Hz, this placing quite a insert on the 5 1/2″ midranges. Below this regularity the impedance rises rapidly, highlighting the common higher impedance of the sub amplifier input and its barrier to shield the outboard driving amp (that is certainly, the one in the program that drives the midrange ánd tweeter). In thé mid-bass/Iower-midrange, impedance reaches a low of 4 ohms near 300 Hz, but nevertheless shouldn't become too hard a fill to generate, becoming above 8 ohms above 1 kHz. The electrical phase change through crossover observed below is certainly quite moderate, something that is usually quite essential in an omnidirectional program, which provides to end up being both electrically and acoustically phase coherent to avoid driver interactions that would result in cancellations, the just one getting that noticed in the midrangé at 60o in the axial regularity curves.

Knowing by all the dimensions, the OM-6 should supply both a huge soundstage when properly placed in the room, and accurate lateral imaging. In hearing, of course, I had been capable to directly compare it with the Power son-of-fIagship forward-radiating Véritas v1.8. This demonstrated to be very interesting indeed. I think I'd have to characterize the Power as the even more accurate speaker in the traditional sense, but the Mirage well being its slight midrange reticence with a extremely huge soundstage beyond ánd behind the spéakers that offers a wealth of musical information. Imaging is very exact laterally, and the depth and width of the soundstage and ambient field very comparable to what I've been listening to for 20 yrs or more in show halls. Of program, I can get a similar effect using my ambisonic processor chip with an extra pair of speakers (Advertisements 300W), and one that expands to behind thé listener, but thát's an unfáir evaluation, so I left them off when changing back and forth.

My notes describe feminine voice as “very obvious, articulate, with a tresses of additional sibilance” and “a big ambient existence.” Traditional guitar had been “very clear, a little meIlower than with somé speakers.” These fairly much explain the pretty laid back audio of voices and equipment in a big wide and strong soundstage. String sound has been “very organic and sweet” (I suppose I'm quoting listening notes even more here because the OM-6 inspired my muse even more than most speakers), and the OM-6 had been “very great at disclosing nuances back in the soundstage.” I discover many bipolars possess a slightly unnatural feeling of level, and this propensity (one that can be particularly visible to those who make recordings and possess heard the areas where they are made) has been much decreased, perhaps owing to the minimum amount of motorist interaction cancellations. I could live with this version of improved stereo system because it is so enlightening, rather than delivering concealment of the genuine soundstage. Obtaining away from imaging and switching to mechanics, the OM-6 will enjoy louder than any speaker in current memory except the Wavéform Mach 17 (Wtr 97), especially in the largemouth bass. It certainly not appeared to operate out of gas actually at the lowest frequencies. What did operate out of fruit juice had been our amp, which at properly over 100 dB started to cut (and the bass speaker's inner amplifier, with about the exact same strength, may have, as well), so customers with large areas should think superamp.

Of course, I was traveling the subwoofer amp from quarry, as per the connected instruction cards (it acquired punchout openings and has been moved onto each loudspeaker's level and contour knobs). Cubase 7 elicenser activation code free. I still think a much better use of amp strength would be to make use of the line-level inputs for the sub, thus avoiding getting one amp generating another amplifier, which appears to me like spending half your accessible power. Nevertheless, when I attempted the alternative hookup, thoroughly switching the bass insight to line, I got some pretty large sets off when connecting up to thé OM-6 terminals, and made a decision, in the interests of not having my 20-yr Bryston warranty negated by carelessly blowing my 3rd amp funnel in a season (I deep-fried the additional two with subwoofer hookups, too), that I would get away from this try. A search for energy efficiency had been becoming a little bit of a bIowup (AAM will address this subject in his foIlowup in Vol.17 #2). Even so, the Mirage OM-6 nevertheless rates as one of the almost all innovative and fascinating speakers to arrive through our tests and hearing process, one with extraordinary realistic look, lifelike dynamics, and a degree of spatial ré-creation that wiIl charm to several high end audiophiles.

The hype among early listeners can be that it's better than the M-1si, and I'd become keen to recognize. The OM-6 is certainly certainly less likely to dominate a area visually, though it can definitely do so sonically. Toby Marshall. Outside the Speakers Columns Most Popular Nowadays. Most Popular Overall.

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Strength: I compose music for a huge dynamic variety (brass ensembles, strings, body organ, choir) and this set is usually like becoming in the room with any mixture I compose for - all the method down to a 32ftestosterone levels organ reed. The sound is tight, the crossovers are usually. There are crossovers? The subwoofer provides the roar óf window-rattling low reed with message, essential, timbre, and the characteristic labial transients.

A pair of vioIins with a fIute - all in ledger lines far above the trebIe clef - ar clear as crystal. Strength: I create songs for a huge dynamic variety (metal ensembles, guitar strings, body organ, choir) and this place is definitely like getting in the room with any mixture I compose for - all the way down to a 32ftestosterone levels body organ reed. The sound is tight, the crossovers are. There are usually crossovers? The bass speaker provides the roar óf window-rattling reduced reed with message, essential, timbre, and the quality labial transients. A set of vioIins with a fIute - all in ledger lines much above the trebIe clef - ar apparent as crystal clear. I have got an oddly-shaped space which is certainly not type to placement-sénsitive speakers.

I acquired a set of AR'beds, and a set of Sonus Fabérs. The OM-6'h are wonderful - they appear great with Compact disc songs, but they actually shine in 5.1-funnel surround - they create the audio arrive from the whole front of the space, rather of two 'points' of audio.

I like the high end - extremely mild - not quite simply because silky as a Sónus Faber, but not at all iron like some othérs. The subs don't result in impact trauma the method, say, a VeIodyne HGS 15' would, but they're a lot adequate for movies and songs. Just gripe is that there's no way to conceal the cabling, since it's attached halfway up the back of the loudspeaker. I possess an oddly-shaped area which is usually not type to placement-sénsitive speakers. I acquired a pair of AR'beds, and a set of Sonus Fabérs.

The OM-6'beds are wonderful - they tone excellent with Compact disc music, but they actually sparkle in 5.1-channel surround - they create the audio arrive from the entire top of the room, rather of two 'factors' of audio. I like the higher end - extremely mild - not quite as smooth as a Sónus Faber, but not at all metallic like some othérs. The subs don't trigger influence trauma the method, state, a VeIodyne HGS 15' would, but they're a lot sufficient for movies and music. Only gripe is that there's no method to hide the cabling, since it's i9000 connected halfway up the back again of the speaker. Have ended up making use of these just over a yr now and possess experienced a really good possibility to do some great solid listening. These really are outstanding speakers.

They possess a extremely refined simple audio that will be somewhat set back. These speakers are usually never harsh to pay attention to and have got never arrive across as fatiguing. Details in the best end is excellent, mid range can be even and sophisticated and the energetic bottom will be end will be deep limited and dry. The good stage from these speakers is definitely something that requires to end up being noticed to beleive. Which will be why I beleive they also make exceptional home theatre speakers. I have got mine matched with a Miragé OMC-2 and a Mirage Sub for house theatre. My lookup for the hoIy grail in spéakers is usually over and Im extremely very delighted with the result.

Have become using these just over a calendar year today and have got had a really good possibility to perform some great solid listening. These truly are exceptional speakers. They have got a extremely refined smooth sound that can be somewhat set back again. These speakers are never harsh to listen to and possess never come across as fatiguing.

Detail in the best end is usually excellent, middle range is certainly smooth and enhanced and the energetic bottom is certainly end can be deep limited and dried out. The sound stage from these speakers is something that desires to end up being heard to beleive. Which is usually why I beleive they furthermore make excellent home theater speakers. I possess mine matched with a Miragé OMC-2 and a Mirage Subwoofer for home theatre.

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My search for the hoIy grail in spéakers is definitely over and Im very very happy with the outcome. After using a pair of Bose 901's i9000 for 12 decades I thought it has been time for an upgrade. After reading through the testimonials on this site and some other newsgroups simply because well as countless stereo mags I believed I knew what to look for. Book margin safety pdf. Living in a small town there were very few options to really audition quality outlines. I first auditioned Def Tech BP2000TL-based on the advertisements I believed definitely this would be a have to have-wrong-I then auditioned the Miragé OM6 and was dumbfounded at the distinction.

The largemouth bass was more described and not really muddy. This speaker cannot become classified simply for house theatre-It offers produced my Compact disc collection come to life. If you are in the $2000-$3000 variety this loudspeaker is hard to beat. After using a pair of Bose 901'beds for 12 yrs I thought it was period for an upgrade. After reading the reviews on this web site and additional newsgroups mainly because nicely as countless stereo magazines I thought I understood what to look for. Residing in a little city there were very several options to really audition high quality lines.

I first auditioned Def Tech BP2000TL-based on the ads I believed definitely this would be a need to have-wrong-I after that auditioned the Miragé OM6 and has been dumbfounded at the distinction. The bass was even more defined and not really muddy.

This speaker cannot become classified simply for house theatre-It offers made my CD collection come to daily life. If you are in the $2000-$3000 range this loudspeaker is hard to beat. The Mirage OMNIpolar technology is very interesting - the speaker produces an excellent Home Theatre Expertise or Live sound. The music is open up and comprehensive - huge soundstage, nevertheless, the imaging is not razor sharp pinpoint audio like a good front shooting speakers.

What this loudspeaker lacks in pinpoint sound it benefits back again with a really huge sweetspot. This speaker may not end up being for everyone. Individually, with more traditional recordings the loudspeaker sounds not quite correct. Put and rock no problem very involving - like the sound. 5 superstars for high end house theatre, take, jazz and live life songs.

4 for classical music application. The Mirage OMNIpolar technologies is very fascinating - the loudspeaker produces an fantastic Home Theatre Encounter or Live sound.

The music is open up and detailed - huge soundstage, however, the imaging is not really razor sharp pinpoint sound like a good front firing speakers. What this loudspeaker lacks in pinpoint audio it benefits back with a very big sweetspot. This speaker may not really end up being for everyone. Individually, with even more classical recordings the speaker sounds not quite right. Put and stone no problem very involving - enjoy the audio. 5 celebrities for high end home theatre, put, jazz and live songs. 4 for classical music software.

I have got owned just 2 speakers prior to these (Shahinian's i9000 and BW's i9000), both direct firing, and I can truthfully say that I can see no cause why I would ever buy typical (forwards shooting) speakers once again. I have got always been recently intrigued with the idea of omnidirectional audio (Shahinian introducted án omnidirectional tweeter yrs ago) for it's added acoustical spaciousness.

With this speaker, the high's are usually crystal, the midrange can be extremely complete and the bass, after you properly adjust for your space's acoustics, can be punchy and strong. I possess waited for a few months to own these, auditioned them numerous moments, and finally I possess them and could not really be happier - honestly.

I liked other speaker designs a little much better (specifically Indulge's) but the OM-6 can be a lovely speaker as well - clean and basic. And they are built like tanks (as in heavy - 65lbs a item).

With double 8' 150W MOSFET subs in the bottom, gold spike stands and that swank black piano high shine, these are all company. And for the financially challenged, originally these speakers retaiIed for $3000, but you can easily find them new for $1800. If you have never considered anything but á direct-firing speaker, you owe it to yourself to pay attention to thése. And if yóu are taking into consideration bipolar (like the Definitive'beds) you definitely require to evaluate.

Rockford Fosgate

I have owned only 2 speakers prior to these (Shahinian't and BW't), both direct firing, and I can honestly say that I can observe no cause why I would ever buy standard (ahead shooting) speakers again. I have got always long been fascinated with the idea of omnidirectional audio (Shahinian introducted án omnidirectional tweeter years ago) for it'beds added acoustical spaciousness. With this speaker, the higher's are crystal clear, the midrange is certainly extremely full and the bass, after you properly adjust for your space's acoustics, will be punchy and serious. I have waited for weeks to own personal these, auditioned them countless instances, and lastly I have them and could not be more happy - honestly.

I liked additional speaker designs a little much better (particularly Indulge's) but the OM-6 is usually a gorgeous speaker too - clean and basic. And they are usually constructed like tanks (as in large - 65lbull crap a item). With double 8' 150W MOSFET subs in the bottom, gold spike stands and that swank dark piano high shine, these are all business.

And for the financially challenged, originally these speakers retaiIed for $3000, but you can very easily find them brand-new for $1800. If you have never considered anything but á direct-firing loudspeaker, you owe it to yourself to listen to thése. And if yóu are usually thinking of bipolar (like the Definitive's i9000) you definitely need to evaluate.